Wednesday, September 29, 2010

Displaying Your Family Photojournalism

First and foremost, I'd like to sincerely thank Daniel for stepping up and maintaining this blog over the past few months. Life threw a curveball my way and I had to refocus some energy in other places.

Ok, so you've been reading our blog and I have no doubt that your photos are improving. So what should you do with those great shots?!

1. I urge you to print your digital files semi-reguarly! I had a conversation with the great wedding photojournalist, Evan Baines about the boxes of photographs that we all have from our childhood. Think about it, our parents shot FILM, maybe 24-36 photos at a time. The film was brought to a lab and the end result were PRINTS. When I look through these photographs, I do not judge composition, light, or other technical aspects of the photo. I simply enjoy them. All too often (and I am guilty of this myself) we let our digital files STAY DIGITAL. Or we'll only print our 'best'. Print the middle of the road shots as well! Your children will appreciate them in 20/30/50 years. For great online labs, I can recommend or (I love their matte finish).

2. Albums. You can go in many directions here: a) Take your prints and buy a 4x6 album and make your own. b) Take advantage of the digital age and create a digital album. Most printmakers offer various digital books. c) Old school. You can take a 12x12 album without the pre slotted plastic sleeves and buy photo corners and archival tape and create a nice, clean, photo album that will be fully custom.

3. Family Photojournalism as ART! Frame your favorite/best photos and make a display! There are so many amazing products on the market now (canvas, acrylic pressed prints, fine art, etc) that you really cannot lose! Chose which ever type of print/look you desire and hang it in your family room!

Personally, I have always loved the look of a gallery style wall. But I was always aware of how costly custom framing is! As a solution, I purchased 12 'decent' 12x16 black metal frames (on sale). But in order to give my 'gallery wall' a custom look, I paid for custom cut mats (each one was around $9) cut to the various sizes of my prints. All prints were made on an Epson 2400 with Velvet Fine Art paper. I tried to print at 'odd' sizes so there was some variety in the uniform look. I would estimate that the total cost of framing/matting the series below was about $300.

This is the current set up. The photos have not been switched out in 4 years. I am in the process of printing new prints.

Thanks all for stopping by!


Monday, September 13, 2010

Book Review: Sebastiao Salgado

Something I've been meaning to do for a while is share books that I've found influential. If you don't know who this guy is, you need to. There are many, many photographers that I've studied and continue to study, but one of the most influential photographers for me has been Sebastiao Salgado, a Brazilian documentary photographer. His work covers multiple continents, though much of the book I'm sharing is concentrated in South America and Africa. Here's a short review of his book, An Uncertain Grace, with some insight into what I got out of it myself.

First of all, if you're able to/willing to pick this book up from the library or even off (etc), I'd encourage you to read the essays. While the pictures can teach you a great deal about how a photographer approaches his subjects, the way he composes his shots, what he chooses to include and exclude from a photo, and what moments he/she deemed worthy to press the shutter for, the essays will teach you an equally important skill: how to talk and think about photography. This is a skill that is underrated and often neglected to make space for learning Photoshop and Lightroom tricks and blog stalking. Being able to talk about why you like a photo or why you do not can help you to analyze photographs more deeply. It can also aid you in "seeing" in a whole new way. Over time, the language of photography will become inbedded into your skull and you will learn to shoot more from "feel," requiring less thought and analysis during the moment. (Essentially, it will be more/less second nature over time) That's why I read the essays in my photo books and why I would encourage you to do the same. The author's perspective will also help you to appreciate the photos on a level (often) surpassing your own. It often includes insight behind the photos and what the photographer went through to get the photos, though rarely mentioning anything about the technicals.

Sebastiao's work is very raw. He doesn't attempt to glamorize his subjects or their surroundings. He shoots in black and white, which lends itself to an evocative, yet almost surreal quality. Through his work and Sam Abell's, to name a couple, I have grown fond of darker, moodier images and exposures.

Sebastiao's moodiness is accompanied by a quietness, a stillness that seems to reach into the subject's soul and capture something about who that person is. In reading it (and I have several times now), I come away with a sense that I've actually been the places he has. That is another thing to learn by studying this book: how to use context to speak about your subject and how to incorporate setting without allowing it to overwhelm your subject.

If you have the chance to look this book up, I highly recommend it. You never know which photographers will change your life. There are many I like but only a handful that truly changed the way I see. This is one of them. Try it one on for size.

"An Uncertain Grace" by Sebastiao Salgado (I included a few images to whet your appetite)

Thanks, guys